First published in 1957, Literary Criticism: A Short History traces our aesthetic heritage from its classical origins up to the contemporary state of criticism in the English-speaking world. Divided into four volumes, each book adopts a fair and objective position in the presentation of various critical positions, and each critical theory is considered not only in competition with other critical theories, but also in vital dialectic with the creative literature of its own time. Volume Three focuses on Romantic criticism and covers poetic diction, German ideas, imagination, rhapsodic didacticism, the Arnoldian prophecy, art as propaganda, art for art’s sake, expressionism, and the Historical Method.

First published in 1957, Literary Criticism: A Short History traces our aesthetic heritage from its classical origins up to the contemporary state of criticism in the English-speaking world. Divided into four volumes, each book adopts a fair and objective position in the presentation of various critical positions, and each critical theory is considered not only in competition with other critical theories, but also in vital dialectic with the creative literature of its own time. Volume Four focuses on Modern criticism and covers tragedy and comedy, symbolism, I. A. Richards' critical theory, the semantic principle, Eliot and Pound, fiction and drama, and myth and archetype.

First published in 1957, Literary Criticism: A Short History traces our aesthetic heritage from its classical origins up to the contemporary state of criticism in the English-speaking world. Divided into four volumes, each book adopts a fair and objective position in the presentation of various critical positions, and each critical theory is considered not only in competition with other critical theories, but also in vital dialectic with the creative literature of its own time. Volume Three focuses on Romantic criticism and covers poetic diction, German ideas, imagination, rhapsodic didacticism, the Arnoldian prophecy, art as propaganda, art for art's sake, expressionism, and the Historical Method.

First published in 1957, Literary Criticism: A Short History traces our aesthetic heritage from its classical origins up to the contemporary state of criticism in the English-speaking world. Divided into four volumes, each book adopts a fair and objective position in the presentation of various critical positions, and each critical theory is considered not only in competition with other critical theories, but also in vital dialectic with the creative literature of its own time. Volume Two focuses on Neo-Classical criticism and covers Medieval themes, the Sixteenth Century, English Neo-Classicism, late seventeenth-century themes, rhetoric and Neo-Classic wit, poetry as pictures, genius, emotion, and association, and Samuel Johnson.

First published in 1957, Literary Criticism: A Short History traces our aesthetic heritage from its classical origins up to the contemporary state of criticism in the English-speaking world. Divided into four volumes, each book adopts a fair and objective position in the presentation of various critical positions, and each critical theory is considered not only in competition with other critical theories, but also in vital dialectic with the creative literature of its own time. Volume One focuses on Classical criticism, exploring Socrates and the Rhapsode, poetry as structure, tragedy and comedy, Roman classicism, and some Medieval themes.

The small or mid-sized business' guide to outselling the big boysOften, small or mid-sized businesses don't think they have the resources or the talent to compete with the larger competitors in their industry. But just because they don't have the advertising budgets or purchasing power of their bigger counterparts doesn't mean they can't play ball. For sales organizations, service matters much more than size.If your sales business is competing with much bigger fish, the odds are stacked against you. Pressured and powerless, frustrated and overwhelmed, you might be tempted to give up. But smaller businesses often find advantages over their bigger competitors. - Includes proven tactics to help small businesses tackle bigger competitors - Author William T. Brooks is also the author of "The New Science of Selling" "and Persuasion" and "How to Sell at Higher Margins Than Your Competitors" - Shows you how to steal market share from bigger vendors with bigger resourcesJust because your business can't flood the market with salespeople or contend on economy of scale and purchasing power, that doesn't mean you can't compete. The secret is "Playing Bigger Than You Are."""

Detroit has come to symbolise deindustrialization and the challenges, and opportunities, it presents. As many cities struggle with urban decline, racial and ethnic tensions and the consequences of neoliberal governance and political fragmentation, Detroit's relevance grows stronger. Why Detroit Matters bridges academic and non-academic responses to this extreme example of a fractured and divided, post-industrial city. Contributions from many of the leading scholars on Detroit are joined by influential writers, planners, artists and activists who have contributed chapters drawing on their experiences and ideas. The book concludes with interviews with some of the city's most important visionaries who are engaged in inspiring practices which provide powerful lessons for Detroit and other cities around the world. The book will be a valuable reference for scholars, practitioners and students from across disciplines including geography, planning, architecture, sociology, urban studies, history, American studies, and economics.

Detroit has come to symbolise deindustrialization and the challenges, and opportunities, it presents. As many cities struggle with urban decline, racial and ethnic tensions and the consequences of neoliberal governance and political fragmentation, Detroit's relevance grows stronger. Why Detroit Matters bridges academic and non-academic responses to this extreme example of a fractured and divided, post-industrial city. Contributions from many of the leading scholars on Detroit are joined by influential writers, planners, artists and activists who have contributed chapters drawing on their experiences and ideas. The book concludes with interviews with some of the city's most important visionaries who are engaged in inspiring practices which provide powerful lessons for Detroit and other cities around the world. The book will be a valuable reference for scholars, practitioners and students from across disciplines including geography, planning, architecture, sociology, urban studies, history, American studies, and economics.

While browsing a Stonington, Maine, bookstore, Brooke Williams and Terry Tempest Williams discovered a rare copy of an exquisite autobiography by nineteenth-century British nature writer Richard Jefferies, who develops his understanding of a "soul-life" while wandering the wild countryside of Wiltshire, England. Brooke and Terry, like John Fowles, Henry Miller, and Rachel Carson before, were inspired by the prescient words of this visionary writer, who describes ineffable feelings of being at one with nature. In an introduction and essays set alongside Jefferies' writing, the Williams share their personal pilgrimage to Wiltshire to understand this man of "cosmic consciousness" and how their exploration of Jefferies deepened their own relationship while illuminating dilemmas of modernity, the intrinsic need for wildness, and what it means to be human in the twenty-first century.

Terry Tempest Williams is the author of fourteen books including "Refuge: An Unnatural History of Family and Place" and "When Women Were Birds." Recipient of numerous fellowships and awards, she teaches at Dartmouth and the University of Utah where she is the Annie Clark Tanner scholar in the environmental humanities graduate program. Her work has been anthologized and translated worldwide.

Brooke Williams has spent thirty years advocating for wildness, most recently with the Southern Utah Wilderness Alliance and as executive director of the Murie Center in Moose, Wyoming. He is the author of four books including "Halflives: Reconciling Work and Wildness," and dozens of articles. Brooke and Terry have been married since 1975. They live with their dogs in Jackson, Wyoming, and Castle Valley, Utah.
Praise for Terry Tempest Williams' "When Women Were Birds"
"Williams displays a Whitmanesque embrace of the world and its contradictions...As the pages accumulate, her voice grows in majesty and power until it become a full-fledged aria." --"San Francisco Chronicle"
Praise for Brooke Williams' "Halflives: Reconciling Work and Wildness"
..".a compact yet breathtaking treatise." --"Publishers Weekly"